Most of my lino cuts are reduction prints. This means that during the cutting process the block is gradually destroyed which means that once the edition is completed I cannot produce any more prints from the block.

I deliberately choose to produce small editions, usually numbered between 10 and 20. All lino prints are hand-printed on Zerkall 145gm or Somerset Satin 250g paper using a 19th century Albion relief press or my Hawthorn press.